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Guest
Guest
I would like to shoot some progressive footage for a documentary that also contains all kinds of other footage. Documentary will be later transferred to PAL when finished.
That is, the 24p or 30p footage will be edited in 60i timeline along with other footage, then output as 60i, and then transferred to PAL.
In other words, I will not be extracting 24 true frames for PAl transfer.
Does anyone know of any issues with converting 24p or 30p to 60i and then to PAL?
That is, the 24p or 30p footage will be edited in 60i timeline along with other footage, then output as 60i, and then transferred to PAL.
In other words, I will not be extracting 24 true frames for PAl transfer.
Does anyone know of any issues with converting 24p or 30p to 60i and then to PAL?