When reverse telecine through compressor it seems like it can locate breaks in the cadence pattern between edits. Does this mean I can edit my entire project in Final Cut in HDV 60i 29.97 and then just remove the pulldown from my final project and not all the original footage.
If I was doing something feature length with my HV20 perhaps it would be ideal to have a 29.97 version before I make a true 24p version, and therefore keep all the footage in 29.97 and only output the end product through a reverse telecine.
Any thoughts?
Anyone ever have a case where compressor messed up a reverse telecine where the cadence changes a lot throughout the clips?
If I was doing something feature length with my HV20 perhaps it would be ideal to have a 29.97 version before I make a true 24p version, and therefore keep all the footage in 29.97 and only output the end product through a reverse telecine.
Any thoughts?
Anyone ever have a case where compressor messed up a reverse telecine where the cadence changes a lot throughout the clips?