profnoxin
Well-known member
I think it would be key if both the camera and the post systems that you are developing could be set to conform to 35mm color space. If also, when you are adjusting color in the menu settings, the adjustments could be set to be in a scale that corresponds to printer lights. This way, if you have experience as a D.P. or if you are planning on going to a film print, or are matching looks to film, you can color time your footage based on realtime color space information that both DPs and Color Timers understand. Darren Okada A.S.C. has developed a box like this for post systems, and I'm sure both he and Richard Crudo A.S.C. would love you help you implement something like this. Having R G B and Saturation controls at the camera level... that might actually get some film purists to warm up to HD.