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getting the FS700 will be like that Nintendo 64 all over again!
Absolutely true - while Cinegammas are probably more advanced than Cinematones (or whatever it's called), just take a look at the old thread of mine here (on the CineAlta EX1 "features"):color is completely dependent on the grade too... people seem to thing one video with a camera that has amazing colors means it has better colors.
Count me as entirely bored with slo-mo.
There's nothing special about the colours in that video.
The benefit the FS700 has over the FS100 is the built in NDs which mean ND faders will be a thing of the past. These faders produce all sorts of different colour casts and if people aren't scrupulous with white balancing they'll get indifferent results.
One of the old lenses I purchased filter rotates with focus and you can see the colour changing on the LCD as the focus is changed. This is due to the ND Fader and not the camera and means I'll use screw-ins instead with this lens.
I have not seen any poor colour rendition with the FS100 that couldn't be explained by lack of white balance. There's nothing neutral about a ND Fader and its influence must be balanced out with manually white balancing regularly.
So 90 percent of videos of the 100 including Philip Bloom's video's didn't properly white balance?
Is there a Philip Bloom video online that isn't colour graded apart from his test clips?
The video you posted is heavily graded not to mention that the skin tones are a different from shot to shot so I don't understand your point. How can you use this video to back up your claims?
I am willing to bet there's a load of people out there that don't fully understand the implications of using ND Faders and rely on camera preset WB or dial in WB when they should be using a manual WB and doing it regularly when ever they change exposure with the ND Fader.
I guess we will agree to disagree, the video I posted dosent seem graded at all btw and if so it has beautiful dynamic range then, I must see different than you good sir
You can't at least see the vignette?
How can you judge dynamic range under an overcast sky? An overcast sky is no challenge to any camera released in the last two decades.
I really do think you see things differently.
Why are you so bent on not liking this camera ?
Why are you so bent on not liking this camera ? I do see vignette btw, as 4 DR not going to get into a pointless discussion, you are not a fan of this camera it seems and don't see what I see, but hey that's what makes us individuals, if we saw things the same way life would be boring =)
Sorry, when did I say I wasn't a fan of this camera?
I'm just holding you to a bit of intellectual rigour regarding your unsupported comments on colour reproduction and dynamic range.
Why are you so bent on slagging the FS100 with all these "OMG, this is the greatest camera ever!!!!" posts?
By almost every post since the camera was announced, I have seen you post mostly negative things about this camera. I love the fs100 but the color rendition suck IMO, and how do you wish me to support my claims do you want my eyeballs or something? I see what I see, wtf supported LOL..