bbalser
Veteran
1- Noise is there in the demo mode. But, it's too much noise for me to work with in evaluating the product. Every time I nudge a control in any of the color wheels, noise jumps all over the place, and tons of it. It's so distracting I can't properly judge what I'm doing. Why not just use a watermark like everyone else? Especially when we're supposed to evaluate a product that does such sensitive color correction.
2- You have to enlarge the Viewer window to a HUGE size to see all the color wheels and controls. Enlarge the Viewer and grab the boarder of the Nav tab and pull it over to the right until you can see the full interface. Sean suggested creating a new Custom Window Layout for using the Colorista filter. That's just way too much work to use one filter IMHO.
3- Having to stack a second filter on to do keyframing, rather than just being able to keyframe the color wheels, well... Again, way too much effort for one single filter.
4- No secondary color correction really kills it for me. I do way more secondary correction than primary.
I'm sure Colorista is great for those who don't mind all the extra set up work just for one filter. But I'll wait until it matures a bit more. An interface that fits properly, a watermarked demo rather than enough noise to make it impossible to judge, secondary color correction, keyframable color wheels, and you'd have a great product on your hands. Heck, I can't tell what it's doing with all that noise jumping all over the place.
As for Conduit, I love it. Here's the author's blog, very interesting. Conduit, IMHO, really is for us geeky enough to learn it. But it is really nice, very powerful, some really neat stuff.
http://www.lacquer.fi/blog/
2- You have to enlarge the Viewer window to a HUGE size to see all the color wheels and controls. Enlarge the Viewer and grab the boarder of the Nav tab and pull it over to the right until you can see the full interface. Sean suggested creating a new Custom Window Layout for using the Colorista filter. That's just way too much work to use one filter IMHO.
3- Having to stack a second filter on to do keyframing, rather than just being able to keyframe the color wheels, well... Again, way too much effort for one single filter.
4- No secondary color correction really kills it for me. I do way more secondary correction than primary.
I'm sure Colorista is great for those who don't mind all the extra set up work just for one filter. But I'll wait until it matures a bit more. An interface that fits properly, a watermarked demo rather than enough noise to make it impossible to judge, secondary color correction, keyframable color wheels, and you'd have a great product on your hands. Heck, I can't tell what it's doing with all that noise jumping all over the place.
As for Conduit, I love it. Here's the author's blog, very interesting. Conduit, IMHO, really is for us geeky enough to learn it. But it is really nice, very powerful, some really neat stuff.
http://www.lacquer.fi/blog/
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