I just tried Pomfort ClipHouse and it has a lot of potential for 7Q RAW sequences.
http://nofilmschool.com/2013/12/introducing-pomfort-cliphouse-raw-processing-software/
It's a pretty cool RAW converter that does BATCH export to ProRes. It ALMOST works with 7Q Cinema DNG files in that the colors are somewhat in the ballpark (but almost only counts in horse shoes and hand grenades), but much closer than Adobe's RAW support where the colors are super off. The obvious reason is because 7Q Cinema DNG RAW is not officially supported by ClipHouse.
Unlike Resolve, ClipHouse can run on older Mac that don't have GPU graphics cards. My generation one 8 core Mac cannot run Resolve. Plus, the Batch renderer seems really good. I ran through six 7Q RAW clips and the Batch processor converted them to ProRes 4:4:4 really quickly and without breaking a sweat. The interface is very intuitive and easy. But like I mentioned, the colors are off right now because the 7Q is not officially supported.
The support at Pomfort asked me to pass them some 7Q Cinema DNG sequences, which I did so hopefully they can support us soon. Maybe if some of you guys write them and express interest, it can be coded even faster.
Hey Mitch, I passed Pomfort your email, but if you would like to reach out to them, they seem really cool and helpful.
support@pomfort.com
http://nofilmschool.com/2013/12/introducing-pomfort-cliphouse-raw-processing-software/
It's a pretty cool RAW converter that does BATCH export to ProRes. It ALMOST works with 7Q Cinema DNG files in that the colors are somewhat in the ballpark (but almost only counts in horse shoes and hand grenades), but much closer than Adobe's RAW support where the colors are super off. The obvious reason is because 7Q Cinema DNG RAW is not officially supported by ClipHouse.
Unlike Resolve, ClipHouse can run on older Mac that don't have GPU graphics cards. My generation one 8 core Mac cannot run Resolve. Plus, the Batch renderer seems really good. I ran through six 7Q RAW clips and the Batch processor converted them to ProRes 4:4:4 really quickly and without breaking a sweat. The interface is very intuitive and easy. But like I mentioned, the colors are off right now because the 7Q is not officially supported.
The support at Pomfort asked me to pass them some 7Q Cinema DNG sequences, which I did so hopefully they can support us soon. Maybe if some of you guys write them and express interest, it can be coded even faster.
Hey Mitch, I passed Pomfort your email, but if you would like to reach out to them, they seem really cool and helpful.
support@pomfort.com