filmstox
Well-known member
The label just posted Chris Cornell's new video "No Such Thing" exclusively on YouTube.
http://www.youtube.com/watch?v=O90wWp2BgrQ
I was the second unit DP with my HVX, 1st Unit was Super 16mm. About a half dozen of the HVX shots made the final cut. YouTube is the only place footage can be posted right now, but here are a couple of stills from the HVX footy...
This stills are straight from the camera with no color correction or tweeking other than scaling them in photoshop.
As soon as the production company says it's cool, I'll post some HD footage.
As for settings as best I can remember,
CineGamma
CineLike D
Gain: +6db
Chroma: -4
Color Temp: -4
Ped: -15
Everything else is at Zero.
This is a case where the HVX got me the credit. I was hired on as Gaffer and C camera operator for the video (we had 5 16mm cameras from Arri SRIII High Speed to Bolex). The HVX was requested so we could preview some frame rates on set, but after the first days shooting, Ferny and Anonda (Dir. and DP) liked the footage from the HVX so much that they bumped me up to 2nd Unit DP and I ended up shooting almost an hour worth of 720 footage by the end of day 2. It was a great shoot, with a fantastic crew, most of which have known each other since childhood. It was a real honor to be invited into the family.
http://www.youtube.com/watch?v=O90wWp2BgrQ
I was the second unit DP with my HVX, 1st Unit was Super 16mm. About a half dozen of the HVX shots made the final cut. YouTube is the only place footage can be posted right now, but here are a couple of stills from the HVX footy...
This stills are straight from the camera with no color correction or tweeking other than scaling them in photoshop.
As soon as the production company says it's cool, I'll post some HD footage.
As for settings as best I can remember,
CineGamma
CineLike D
Gain: +6db
Chroma: -4
Color Temp: -4
Ped: -15
Everything else is at Zero.
This is a case where the HVX got me the credit. I was hired on as Gaffer and C camera operator for the video (we had 5 16mm cameras from Arri SRIII High Speed to Bolex). The HVX was requested so we could preview some frame rates on set, but after the first days shooting, Ferny and Anonda (Dir. and DP) liked the footage from the HVX so much that they bumped me up to 2nd Unit DP and I ended up shooting almost an hour worth of 720 footage by the end of day 2. It was a great shoot, with a fantastic crew, most of which have known each other since childhood. It was a real honor to be invited into the family.
