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Unfortunately none of the cameras have 10-bit 4:2:2 recording in Ultra HD (either internally or externally over HDMI). Maybe the manufacturers don't think that's an important feature for these types of camcorders?
I put my pre order in on this new camera. I currently film with a C100 mark 1 and have been wanting to get into 4k content with the same auto focus that my 7d mark ii has. I would love a C200 but the cost is prohibitive and my wife can barely figure out my C100 as it is.
We film custom content for clients around the world for web and computer delivery. Almost everything is shot hand held with studio lighting and with a shotgun mic.
I use the same lens every day and can't remember the last time it has come off the camera. As much as I love my C100, I just don't think I need it anymore since I am not shooting anything with shallow DOF anymore, nor filming broadcast quality. I really just want something that I can pick up and use, easy AF with 4k and this seems to check all the boxes.
I had been also thinking about the Canon XC15 - but the lack of handle, no wrist strap and 4k to CFast cards was holding me back.
How do you guys think the quality of the video (24p) will be compared to what I'm shooting with the C100?
I love the idea of the X400, but these fixed lens consumer/prosumer cameras have always been held back by their image quality. It's dated; even in the $5K/$6K cameras.
We'll see how this new batch of 2017 Canon cameras looks, but I would hold on to your C100 for a bit. Also, keep in mind that the 5D Mark IV is around the same price and shoots much better 4K with the same DPAF technology.
But the X400 does sound like a great camera for what you do (with studio lighting, the camera having IS, one lens, etc).
If it's intended to be a successor to the XF-305, it's a total letdown... reduced zoom range, elimination of genlock and timecode, a paltry 4:2:0 color space, and looks like a toy in comparison. The autofocus system looks great, but I think that's about all this camera has going for it. If it's meant to be a successor to the XF-205 instead, then it's vastly overpriced for what it does.
There is absolutely a market for fixed lens cameras, and it's a completely different one than those who shoot narrative content. I'm glad we are still seeing development in this area. This whole new crop of cameras is really underwhelming, though. The Panasonic is the best of the bunch with its 20x zoom lens, but the lag out the SDI cripples it for its ability to shoot in live situations (what a good chunk of these kinds of cameras are used for).
We really need a true XF-305 replacement with a 1" chip, 20x lens, 4:2:2 recording, and proper genlock port. It's not a big ask - the 305 had all of these except the 1" 4K sensor. You'd think they could figure it out in 7 years time.
Looking at Canon's website for the XF400 - it does list 4:2:2

Also, what is up with killing off 720p60? The Panasonic's don't even have it and this camera only has a proxy level bitrate. HEY, US brocasting is still at 720p60!! Some jobs you just want to film at the their intended resolution for a low storage footprint and DVD/Blu delivery. How hard is it to keep a decent bitrate 720p60 option? Who wants to film a multicamera event in 4k only to deliver in 720?