C300: C300mkiii Short Porsche doc

jm.gardiner

Well-known member
Hey there, been a while!
Picked up the mk3 late last year to flank my 300mk2 or alexa mini and it's quickly become my favorite camera.

Parts of this are going into a larger documentary, but thought I would share this little short that was cut together.

https://www.youtube.com/watch?v=sgsThMgWXGA&t=57s

C300mkiii/Zeiss ZE and Celere Primes.
I shot the reveal sequences and another DP (Robert Swanson) shot the "down the hill" sequence.

PORSCHE_SPYDER.00_18_16_04.Still040.jpg
 
Really nice work. I totally see the Arri characteristics in the C300 MKIII, I just shot a week with it
and it's a classic, so much nicer than my C200 and 300 MKII.

I have one little niggle, the image seems a bit too dark and contrasty, it's not bad at all
but I kept hoping to see a bit more detail in the shadows, that's obviously the grade, not the camera. When
this was output for YT, did you or whoever edited it do a gamma offset for the QuickTime master to H264 conversion?
(assuming it was edited and output QuickTime and not PC?)

I use Compressor to add in a .9 or .8 gamma offset for my H264 social media master as if I don't, I find the H264 on YouTube or Vimeo doesn't look
like my ProRes master I output from FCP X or Resolve., it will be too slightly too dark like this? Or perhaps this is exactly how you intended for the
blacks to look? (the H264 output)
 
Nice and dark is how we like it!

This was a quick turn around; and I've certainly had issues with H264 exports, so I ended up exporting a prores Proxy version and that's what the director uploaded.
 
Some shots I like that didn't make it in.
Settings Log2/Cinema Gamut/Production Camera
Recorded in Raw light.

PORSCHE_SPYDER.00_02_04_09.Still013.jpg

PORSCHE_SPYDER.00_23_17_01.Still045.jpg

PORSCHE_SPYDER.00_18_49_22.Still035.jpg
 
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