So, I've edited 6k Red footage on my laptop without a problem (at 1/2 resolution), but apparently it can't handle 4k Canon footage. Weird, but whatever, I'll go the proxy route.
I have two questions I'm hoping someone can help me with:
1. Having not used proxies before, my thinking was to edit the footage, unlink the proxies, link the source footage, and voila. Easy, right? No, because Premiere tries to be smart and finds the original files in a different folder than the one I told it to search. Ok, so I can just trick Premiere by putting the proxies in a totally different place. That worked, but because the proxy files have the *._P addition, that means they all have to be linked by hand. What's the solution?
2. Best way to make proxy files if I didn't make them in camera?
Unrelated question, what LUT are you guys using? I've found AlexaV3_k1S1_LogC2Video_Rec709_EE to be pretty good, but every now and again the hues get a bit wonky, and some browns shifted to purple. Also, when I export to h.264, I'm getting some color shift which is annoying because the original source just looks so damned good.
Thanks in advance!! Amazing c300 Mark II Yosemite footage coming soon. This camera is a beast, and while it's very familiar to me, it's also taking some getting used to, especially that finicky clog2. The still frames look amazing but it gets pretty noisy in low or even average light.
I have two questions I'm hoping someone can help me with:
1. Having not used proxies before, my thinking was to edit the footage, unlink the proxies, link the source footage, and voila. Easy, right? No, because Premiere tries to be smart and finds the original files in a different folder than the one I told it to search. Ok, so I can just trick Premiere by putting the proxies in a totally different place. That worked, but because the proxy files have the *._P addition, that means they all have to be linked by hand. What's the solution?
2. Best way to make proxy files if I didn't make them in camera?
Unrelated question, what LUT are you guys using? I've found AlexaV3_k1S1_LogC2Video_Rec709_EE to be pretty good, but every now and again the hues get a bit wonky, and some browns shifted to purple. Also, when I export to h.264, I'm getting some color shift which is annoying because the original source just looks so damned good.
Thanks in advance!! Amazing c300 Mark II Yosemite footage coming soon. This camera is a beast, and while it's very familiar to me, it's also taking some getting used to, especially that finicky clog2. The still frames look amazing but it gets pretty noisy in low or even average light.