After googling turned up no LUTs for the C300 Mark II, I found them directly here:Click on Drivers & Downloads, then Software to find them. Also select Windows 10 (x64) for Operating System (otherwise the LUTs are hidden if in OSX, etc.).
For use with Premiere Pro CC 2015, the following line in the .cube files must be commented out to load them with Lumetri:
Change:
LUT_3D_INPUT_RANGE 0.0 1.0
To:
#LUT_3D_INPUT_RANGE 0.0 1.0
Hopefully Adobe will update Premiere Pro 2015 so this won't be necessary in the future.
Observations:
Canon Log 2 with Cinema Gamut can have banding issues in low light, even in 12-bit. Canon Log looks better indoors/low light.
Premiere's Alexa/Amira LUTs so far are looking better than Canon's LUTs for skin tones (CLog2 + Cinema Gamut (with or without "Production" (ARRI) color matrix)).
In order to preserve highlights, CLog2 + Cinema Gamut to Wide DR looks better than 709 (can fine tune with curves and saturation).
For use with Premiere Pro CC 2015, the following line in the .cube files must be commented out to load them with Lumetri:
Change:
LUT_3D_INPUT_RANGE 0.0 1.0
To:
#LUT_3D_INPUT_RANGE 0.0 1.0
Hopefully Adobe will update Premiere Pro 2015 so this won't be necessary in the future.
Observations:
Canon Log 2 with Cinema Gamut can have banding issues in low light, even in 12-bit. Canon Log looks better indoors/low light.
Premiere's Alexa/Amira LUTs so far are looking better than Canon's LUTs for skin tones (CLog2 + Cinema Gamut (with or without "Production" (ARRI) color matrix)).
In order to preserve highlights, CLog2 + Cinema Gamut to Wide DR looks better than 709 (can fine tune with curves and saturation).
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