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http://mattdavis.wordpress.com/2014/01/06/c100-interlaced-chroma-the-fix/
Excerpt:
"The C100′s AVCHD is a little odd – you may see ‘ghost interlace’ around strong colours in PsF video. AVCHD is 4:2:0 – the resolution of the colour is a quarter of the resolution of the base image. Normally, our eyes aren’t so bothered about this, and most of the time nobody’s going to notice. However, stronger colours found in scenes common to event videographers, and when ‘amplifying’ colours during grading, all draw attention to this artifact.Note that this problem is completely separate from the ‘Malign PsF’ problem discussed in another post, but as the C100 is the only camera that generates this particular problem in its internal recordings, I suspect that this is where the issue lies. I’ve never seen this in Panasonic or Sony implementations of AVCHD."
Excerpt:
"The C100′s AVCHD is a little odd – you may see ‘ghost interlace’ around strong colours in PsF video. AVCHD is 4:2:0 – the resolution of the colour is a quarter of the resolution of the base image. Normally, our eyes aren’t so bothered about this, and most of the time nobody’s going to notice. However, stronger colours found in scenes common to event videographers, and when ‘amplifying’ colours during grading, all draw attention to this artifact.Note that this problem is completely separate from the ‘Malign PsF’ problem discussed in another post, but as the C100 is the only camera that generates this particular problem in its internal recordings, I suspect that this is where the issue lies. I’ve never seen this in Panasonic or Sony implementations of AVCHD."