Bern Caughey
Veteran
Been assigned a series of dual-cam interviews that will be filmed over two days with the final cut delivered on the following day. There will be an editor on-set working in FCP 7, & as there's no time to transcode, the footage must be recorded in 1080/24p ProRes. Given the option I'd rent the extension back, &/or Odessey 7Q, for my FS7 (or better yet just grab an AMIRA), but they prefer to use the GH4(s), & record on their (brand new) BlackMagic Video Assist(s). I'll be running some tests next week, but wonder if any users have insight into the GH4/BMVA combo, especially with the Video Assist's recent firmware update (v1.1).
Production is thinking of fitting the A-Cam with a YAGH so it can be fed sync audio from the SoundPerson via XLR but I'm hoping to test this against my Wooden Camera 'A-Box' XLR adapter. I've shot a lot with the GH4(s), but always dual sound which was synced in post, & don't know if the YAGH yields any better results than the A-Box, especially as I won't be riding the YAGH's pots.
http://woodencamera.com/A-Box-DSLR.html
I'd love to ditch the YAGH due to the added complexity of rigging/wiring/powering, & increased chance of part of the chain breaking, but not sure if I'll need it for triggering (&/or audio). BlackMagic' manual states the Video Assist can be triggered by '‘SDI start/stop’, or 'Record Run' timecode, but not sure which, if any, works with the GH4. If the GH4's timecode triggers the Video Assist over HDMI that's another nail in the YAGH's coffin.
I avoid recorders like the plague, especially connected via HDMI, so hope to backup with internal recording. AKAIK this will limit both recordings to 8-bit, & I'm willing to pay that price, but am unsure of the details. Would it be better to feed the Video Assist 8-bit UHD (only available via SDI) & have it down-convert to faux 10-bit 4:2:2 HD? Will the GH4 still record internally? Is there any way to send a 10-bit, &/or 4:2:2, image out of the GH4, & record internally (I think not)?
Any, & all, feedback is most appreciated! There's a chance only one, hopefully none, of the cameras will be fitted with a YAGH so I'm interested in both SDI, & HDMI, interoperability.
Thanks,
Bern
Production is thinking of fitting the A-Cam with a YAGH so it can be fed sync audio from the SoundPerson via XLR but I'm hoping to test this against my Wooden Camera 'A-Box' XLR adapter. I've shot a lot with the GH4(s), but always dual sound which was synced in post, & don't know if the YAGH yields any better results than the A-Box, especially as I won't be riding the YAGH's pots.
http://woodencamera.com/A-Box-DSLR.html
I'd love to ditch the YAGH due to the added complexity of rigging/wiring/powering, & increased chance of part of the chain breaking, but not sure if I'll need it for triggering (&/or audio). BlackMagic' manual states the Video Assist can be triggered by '‘SDI start/stop’, or 'Record Run' timecode, but not sure which, if any, works with the GH4. If the GH4's timecode triggers the Video Assist over HDMI that's another nail in the YAGH's coffin.
I avoid recorders like the plague, especially connected via HDMI, so hope to backup with internal recording. AKAIK this will limit both recordings to 8-bit, & I'm willing to pay that price, but am unsure of the details. Would it be better to feed the Video Assist 8-bit UHD (only available via SDI) & have it down-convert to faux 10-bit 4:2:2 HD? Will the GH4 still record internally? Is there any way to send a 10-bit, &/or 4:2:2, image out of the GH4, & record internally (I think not)?
Any, & all, feedback is most appreciated! There's a chance only one, hopefully none, of the cameras will be fitted with a YAGH so I'm interested in both SDI, & HDMI, interoperability.
Thanks,
Bern
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