Hey guys,
Just about to edit my short film (in FCP 6) from this past weekend. We shot multi-cam with the HMC150 and the HPX170. We did camera tests before in terms of looking at the footage and you can hardly tell between the compression schemes and the frames. However, now that I am to sit down and edit it, I am wondering what the best workflow would be. Do I create a DVCProHD sequence or a ProRes422 sequence? I have far more DVCProHD footage than ProRes AVC footage but I still wonder about final master quality and what is easier to cut with. Does anybody have any suggestions? Should I just recompress the DVCProHD footage to ProRes422 and edit in a ProRes timeline?
DVCProHD footage is 1280x1080 framesize, ingested in at 23.98fps, and compressed at DVCPro HD 1080/30p.
AVC/ProRes422 footage is 1920x1080 framesize, ingested in at 23.98fps, and compressed with ProRes422.
Looking forward to what you guys think. Thanks!
Just about to edit my short film (in FCP 6) from this past weekend. We shot multi-cam with the HMC150 and the HPX170. We did camera tests before in terms of looking at the footage and you can hardly tell between the compression schemes and the frames. However, now that I am to sit down and edit it, I am wondering what the best workflow would be. Do I create a DVCProHD sequence or a ProRes422 sequence? I have far more DVCProHD footage than ProRes AVC footage but I still wonder about final master quality and what is easier to cut with. Does anybody have any suggestions? Should I just recompress the DVCProHD footage to ProRes422 and edit in a ProRes timeline?
DVCProHD footage is 1280x1080 framesize, ingested in at 23.98fps, and compressed at DVCPro HD 1080/30p.
AVC/ProRes422 footage is 1920x1080 framesize, ingested in at 23.98fps, and compressed with ProRes422.
Looking forward to what you guys think. Thanks!