Jaime Valles
Veteran
So, Blackmagic Design's new camera looks to be every GH2 owner's dream cam:
I certainly would.
I'm only interested in shooting narrative cinema (not event work, documentary or run-n-gun) so the RAW workflow doesn't scare me. It frees me from the tyranny of 8-bit 4:2:0 footage in the grading suite. It's small, simple to use, and presumably doesn't have any of the quirks of the GH2 (the ISO bug, aliasing, etc.) and 13 stops dynamic range should be amazing. I hear some folks are somewhat worried about low light performance, but I don't shoot in low light (narrative only with pre-planned lighting) so that doesn't really bother me.
At $3000 it's certainly a step up from an $800 GH2, but for me it seems like a no-brainer... once they make one with a Micro 4/3 mount. I want to use my Voigtlander 25mm f/0.95 and SLR Magic 12mm f/1.6 on this baby!
Who else is thinking of jumping ship?:evil:
- 2.5K resolution
- Similar size to Micro 4/3 sensor
- RAW 12-bit CinemaDNG recording
- 1080p ProRes and DNxHD recording
- Off-the-shelf SSD drives on board
- 13 stops dynamic range
- $3000
I certainly would.
I'm only interested in shooting narrative cinema (not event work, documentary or run-n-gun) so the RAW workflow doesn't scare me. It frees me from the tyranny of 8-bit 4:2:0 footage in the grading suite. It's small, simple to use, and presumably doesn't have any of the quirks of the GH2 (the ISO bug, aliasing, etc.) and 13 stops dynamic range should be amazing. I hear some folks are somewhat worried about low light performance, but I don't shoot in low light (narrative only with pre-planned lighting) so that doesn't really bother me.
At $3000 it's certainly a step up from an $800 GH2, but for me it seems like a no-brainer... once they make one with a Micro 4/3 mount. I want to use my Voigtlander 25mm f/0.95 and SLR Magic 12mm f/1.6 on this baby!
Who else is thinking of jumping ship?:evil: