cyclonebill
Active member
Get a grip, man.
After you've completed a film, you set aside a budget for festival entry. Unless you have unlimited funds, entering every festival out there is not a legitimate strategy. So you weigh the ones that make sense versus the ones that don't and you enter those. How is that difficult to understand? Maybe someone else reading this nonsense who's completed a film and entered into festivals can chime in here?
- How many years have you worked in the industry and in what capacity?
- How many films have you completed on your own and attempted to market in the industry (in Toronto specifically)?
- How many professionally produced productions have you been involved with in any capacity?
- How many films have you taken on the festival circuit or at least submitted into 3+ festivals?
- How many film scripts/treatments have you actually pitched within the industry?
If you're wondering why those questions come to mind for me, it's because you're talking like a guy with a lot of experience working in this industry. If that's the case, then yeah, I should definitely take what you say and consider it. But if you're basing all this knowledge from "film organizations" and reading posts on the internet rather than actual, tangible experiences that you have, well then I'll be happy to have been proven right.
What does this even mean? Seriously. You're saying I didn't even direct a film...?Based on your whole thread (disregarding what I wrote or anyone else), I'd say your thread of full of crap, but hey, what do I know anyway.
It's funny because you came into this thread acting like the seasoned veteran but you're really showing yourself to be the one who's rather naiive and ill-informed.How do you waste money on putting your film in multiple festivals? You spend money to make money in film or else there'd be no festivals anywhere because people would realize they are a waste of time and money (according to you) to submit to every festival out there.
After you've completed a film, you set aside a budget for festival entry. Unless you have unlimited funds, entering every festival out there is not a legitimate strategy. So you weigh the ones that make sense versus the ones that don't and you enter those. How is that difficult to understand? Maybe someone else reading this nonsense who's completed a film and entered into festivals can chime in here?
No, I'm not in any film groups or organizations, I've been busy making films.Do you belong to any film groups or organizations here in Toronto? If not, I suggest you join one or two, you'll soon learn how things in film really work. And as far as being a defeatist, lol, I'm as realistic as they come. Things don't happen in film in a month... again, join a film organization, you'll learn this too.
You're not an authority on how things "really work". Unless you can provide me a link to your IMDB page, then maybe we can start taking what you say seriously.you'll soon learn how things in film really work.
What issues or questions am I dodging anyway? Just curious.
- How many years have you worked in the industry and in what capacity?
- How many films have you completed on your own and attempted to market in the industry (in Toronto specifically)?
- How many professionally produced productions have you been involved with in any capacity?
- How many films have you taken on the festival circuit or at least submitted into 3+ festivals?
- How many film scripts/treatments have you actually pitched within the industry?
If you're wondering why those questions come to mind for me, it's because you're talking like a guy with a lot of experience working in this industry. If that's the case, then yeah, I should definitely take what you say and consider it. But if you're basing all this knowledge from "film organizations" and reading posts on the internet rather than actual, tangible experiences that you have, well then I'll be happy to have been proven right.
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