AG-DVX100A Rebate Kicked up a Notch

Sounds awesome Jan, but there seems to be an issue with the internet site. everytime I click on the link labled REQUEST YOUR REBATE ONLINE NOW and the new screen came up with an error.

message

"Server Error in '/PanasonicRebate' Application.
--------------------------------------------------------------------------------

Cast from string "09/30/2005" to type 'Date' is not valid.


Big C
 
Jan - Why is rebate not available in Puerto Rico?

Jan - Why is rebate not available in Puerto Rico?

I called the rebate hotline and was told that the offer wasn't valid in Puerto Rico. While I understand that Panasonic regional offices around the world make their own marketing decisions, Puerto Rico -- as well as the U.S. Virgin Islands and Guam -- is a U.S. territory. Why is it not available, and can something be done about it?

Thanks,
 
JFReyes said:I called the rebate hotline and was told that the offer wasn't valid in Puerto Rico. While I understand that Panasonic regional offices around the world make their own marketing decisions, Puerto Rico -- as well as the U.S. Virgin Islands and Guam -- is a U.S. territory. Why is it not available, and can something be done about it?
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Puerto Rico is serviced by Panasonic Puerto Rico and so it is totally up to them to come up with their marketing programs. So unfortunately nothing can change that.

Sorry,

Jan
 
Jan_Crittenden said:
Puerto Rico is serviced by Panasonic Puerto Rico and so it is totally up to them to come up with their marketing programs. So unfortunately nothing can change that.

Sorry,

Jan
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Oh, well...

Thanks anyway.
 
Let me get this straight, Panny is now going to give out the DVX Book, Magic Bullet, Tapes, Battery, and $500! Or just DVX Book, Magic Bullet and $500? I bought mine on the 8th! Grrrrrr.....but I'm happy for new buyers:thumbsup:
 
bought mine on the 12th and got it on the 16th. i kept it in the box for a day trying to figure out a way to get in on the extra rebate $$. then i started shooting, and within 2 tapes i'd already forgotten about the extra $200. the fact of the matter is, once the B model comes out and then the next gen comes out after that, the dvx100a is going to be dirt cheap! hippies and hairdressers will be snapping them up.
 
robmyers said:
then i started shooting, and within 2 tapes i'd already forgotten about the extra $200.
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That's the beauty of that camera. The thing is, I don't think a lot of people sold their 100 to get a 100A. Once you have the camera and start shooting, it justifies itself.
 
hi pana"jan"sonic i buaght a dvx it rules oh hell yah digit alot learning everyday still waiting for tapes and battries though .. heard of follow focus product?mike d
 
I am looking to buy an AG-DVX100A and was wondering if it was worth it? I know that it is a great camera but I have been reading around this site and a lot of people are saying that it is going to be blown away by the HVX. Now I can't afford to be switching cameras all the time and plan on keeping my next one for 4-5 years. So, I was wondering if I should keep saving for the HVX or go ahead and purchase the DVX with its rebate.
 
jdnau said:
I am looking to buy an AG-DVX100A and was wondering if it was worth it? I know that it is a great camera but I have been reading around this site and a lot of people are saying that it is going to be blown away by the HVX. Now I can't afford to be switching cameras all the time and plan on keeping my next one for 4-5 years. So, I was wondering if I should keep saving for the HVX or go ahead and purchase the DVX with its rebate.
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It really depends on what you want to do with a camera. Is it for hobby or professional use? If its for a hobby, or the occasional gig, I personally would refrain from getting the HVX. If your tight on a budget, think of the initial purchase, and most importantly, the associated costs (i.e. the P2 cards and whatever else you'll need in your production workflow). Technology is cool, and we are all tempted to get the latest and greatest. Keep in mind that DV is not dead, and won't be for some time. The vast majority of people are still watching regular 4:3 on CRT TVs, and won't notice the idiosyncrasies of DV most of the time.

If its for professional use, then... that's another story altogether. Your budget is your limit, sort of... you need to consider the whole of your production process when budgeting. But most importantly, the product you need to deliver (a.k.a. the deliverable) will determine what acquisition equipment you might need... Not the other way around. But keep in mind that even in professional circles, DV is not all that bad. It is what's called good enough. And if you ask the question of why is good enough, good enough... then just start adding up all the associated costs of using a format superior to DV, and the answer will be as clear as water. If you do extensive green screen and lots of compositing, or you intend on broadcasting your product, or you simply have demanding clients, then a superior format to DV, such as DVCpro50 and DVCProHD, is very appealing. And the relative low cost of the HVX is a boon.

And if it turns out that you very rarely need DV50 or HD, then think about renting. It might make more financial sense.
 
ReneH said:
We'll we ever see the extra tapes & battery?
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Yes you will. I probably should have chosen a different tape and a different battery for my promotion because the tape was new, and therefor accumulated big backorders quickly and the battery is also the battery of choice for the P2 store and thus I have other elements working against my promo. Should all be resolved soon.

Thanks for your patience.

Jan
 
Flintstone said:
It really depends on what you want to do with a camera. Is it for hobby or professional use? If its for a hobby, or the occasional gig, I personally would refrain from getting the HVX. If your tight on a budget, think of the initial purchase, and most importantly, the associated costs (i.e. the P2 cards and whatever else you'll need in your production workflow). Technology is cool, and we are all tempted to get the latest and greatest. Keep in mind that DV is not dead, and won't be for some time. The vast majority of people are still watching regular 4:3 on CRT TVs, and won't notice the idiosyncrasies of DV most of the time.

If its for professional use, then... that's another story altogether. Your budget is your limit, sort of... you need to consider the whole of your production process when budgeting. But most importantly, the product you need to deliver (a.k.a. the deliverable) will determine what acquisition equipment you might need... Not the other way around. But keep in mind that even in professional circles, DV is not all that bad. It is what's called good enough. And if you ask the question of why is good enough, good enough... then just start adding up all the associated costs of using a format superior to DV, and the answer will be as clear as water. If you do extensive green screen and lots of compositing, or you intend on broadcasting your product, or you simply have demanding clients, then a superior format to DV, such as DVCpro50 and DVCProHD, is very appealing. And the relative low cost of the HVX is a boon.

And if it turns out that you very rarely need DV50 or HD, then think about renting. It might make more financial sense.
Click to expand...


Thanks for the advice. I am just a film student that probably cannot afford the cost associated with the HVX. I imagine the DVX is a perfect camera for my situation.
 
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