kwkeirstead
Well-known member
Check out the announcement re the AC160A-SFU160 software update that enables a convenient workflow with Eye-Fi (live transmission to a near/remote PC, live upload to cloud services)
http://pro-av.panasonic.net/en/sales_o/02products/products/ag-ac160a_130a/ag-sfu160.html
If anyone is still agonizing over whether to upgrade from AG-AC160 to AG-AC160A you now have an additional incentive.
I can see the value of this for anyone with a production deadline - editing can now proceed in parallel with recording.
The presumption is the live transmission does not lag the recording but since the setup calls for two cards (one SD and one Eye-Fi) you could in theory get to the end of your SD, then insert another SD and start recording on that one while the Eye-Fi transmission of the first continues.
This needs a bit of study - it's possible the wi-fi transmission could lag the recording at the SD. What then? i.e. you could get to where you could no longer parallel record to the Eye-Fi and I would imagine end up with a portion of your recording at the SD not getting to your end destination.
Note the change in file breakpoint from 4GB to 2GB. This is good because any slowdowns/interruptions during wi-fi transmissions are easier to deal with for a small file compared to a larger file.
Congratulations, Panasonic!
If I understand the value of this feature, next year at the US Open, we will no longer see helpers holding coiled cables shadowing the cameraman.
All in all, if this new capability works the way it should/could, SFU160 could be a huge feature.
http://pro-av.panasonic.net/en/sales_o/02products/products/ag-ac160a_130a/ag-sfu160.html
If anyone is still agonizing over whether to upgrade from AG-AC160 to AG-AC160A you now have an additional incentive.
I can see the value of this for anyone with a production deadline - editing can now proceed in parallel with recording.
The presumption is the live transmission does not lag the recording but since the setup calls for two cards (one SD and one Eye-Fi) you could in theory get to the end of your SD, then insert another SD and start recording on that one while the Eye-Fi transmission of the first continues.
This needs a bit of study - it's possible the wi-fi transmission could lag the recording at the SD. What then? i.e. you could get to where you could no longer parallel record to the Eye-Fi and I would imagine end up with a portion of your recording at the SD not getting to your end destination.
Note the change in file breakpoint from 4GB to 2GB. This is good because any slowdowns/interruptions during wi-fi transmissions are easier to deal with for a small file compared to a larger file.
Congratulations, Panasonic!
If I understand the value of this feature, next year at the US Open, we will no longer see helpers holding coiled cables shadowing the cameraman.
All in all, if this new capability works the way it should/could, SFU160 could be a huge feature.
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