GH2 AF100 with a hacked GH2

if i do that im going ot have to invest in a slew of cards lol.
right now i own 2 Sandisk Extreme 30MB/s class 10 16 gig
 
PaPa said:
if i do that im going ot have to invest in a slew of cards lol.
right now i own 2 Sandisk Extreme 30MB/s class 10 16 gig
Click to expand...

Just test it out and see what you find. I have two of the same cards, haven't had to buy anymore. They offload so fast.

I could see investing in maybe two more for a feature or getting three 95mb/s cards instead.

But, at least try it out and let us know if you see a difference.

You can always go back to the other one, just save it.
 
What's the benefit?

This is the benefit:

Before

before5dtorgb.jpg


After
after5dtorgb.jpg
 
GH2 looks much better. Why can't Panasonic get it's **** together and give us GH2 picture quality with AF100 features?
 
PaPa said:
Those are nostalgia, guessing between f4 and 5.6.
Click to expand...

Yeaaahpp.. Thanks man. I figured. GOing back to Nostalgia.

I think the Smooth profile might be best for a non 5DtoRGB workflow, but I never factored 5DtoRGB in, and should've been testing more profiles WITH 5DtoRGB.
 
PaPa said:
What's the benefit?

This is the benefit:

Before



After
Click to expand...
I cant seem to see the 2nd pic... :(

same thing also happens on the af100 footage when i convert it from 5D to RGB

a quote from thomas worth:
"I've noticed that the MTS importer in After Effects, for example, will import clips as broadcast range, not full range H.264. This may be appropriate in most cases since I suspect most cameras shoot broadcast range (16-235 in 8 bit terms), but I've noticed clipped highlights in some files. My feeling is that if there is indeed information up there (above 235), it should be retained. However, this can break compatibility with After Effects and Premiere. I guess I'll add an option that allows you to force the transcode at either broadcast range (16-235) or full range (0-255)."
Click to expand...
from my old post:
View attachment 38358View attachment 38359
http://www.dvxuser.com/V6/showthrea...-AF101-Fails&p=2410492&viewfull=1#post2410492
 
That is kinda odd as the Canon 5d/7d shoot also at 0-255 levels and they display perfectly on Premiere and After Effects. So what's different with the GH2? Is this a mac thing?
 
No, I'm on a PC. I just find it too contrasty. So the 5DtoRGB helps flatten the image out the way i like it.
 
maarek said:
That is kinda odd as the Canon 5d/7d shoot also at 0-255 levels and they display perfectly on Premiere and After Effects. So what's different with the GH2? Is this a mac thing?
Click to expand...
its most likely the mts thing. i think this can also possibly happen on mac too.
 
That's a good question, but i would assume it works on both. It's just you might get the best results from the higher bitrate, but of course, more noisy cause there is less compression.
 
It is so very awesome to read this, just when I now finally have my GH2 in my hands.

5DtoRGB with Pro features is Mac only, so no batching for me. Does anyone know if there will be a windows pro version? For testing it over Neoscene it´ll suffice for now.

I will try to upload frame grabs comparing Neoscene with 5D later.
 
ok downloaded the wrong version of 5D to RGB. i should have downloaded the 32 bit version. blerg.

yes it works even on a non hacked version..
 
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