LuckyMovie
Member
Hey everyone! Longtime reader of dvxuser and soon-to-be owner of an HVX200!
I'm surprised that Japanese director Shunji Iwai has yet to be discussed on these forums. I find him to be one of the most poetic filmmakers working today, and is a PIONEER in the art of digital filmmaking. If you haven't already, you need to check out trailers for All About Lily Chou Chou, Swallowtail Butterfly and Hana & Alice. (His frequent collaborator is cinematographer Noboru Shinoda, so he deserves a great deal of credit too)
AALCC compilation: http://www.youtube.com/watch?v=9ZzctopK4BY
(The full movie's on youtube, but I highly recommend you find a DVD of it!)
I love how ethereal his images feel, and I'd like to emulate some of his techniques. For anyone who has seen his films (or digital movies =P) or from watching the youtube video, any tips on recreating Iwai's light bloom in those classroom scenes? The light coming from the windows is so blindingly white that you can hardly see anything outside, yet the subjects are clear as day.
Also, am I able to make my images look as "soft" as they do in the movie, with an HVX? Any help would be appreciated. Let's celebrate Shunji Iwai!
-Gary
I'm surprised that Japanese director Shunji Iwai has yet to be discussed on these forums. I find him to be one of the most poetic filmmakers working today, and is a PIONEER in the art of digital filmmaking. If you haven't already, you need to check out trailers for All About Lily Chou Chou, Swallowtail Butterfly and Hana & Alice. (His frequent collaborator is cinematographer Noboru Shinoda, so he deserves a great deal of credit too)
AALCC compilation: http://www.youtube.com/watch?v=9ZzctopK4BY
(The full movie's on youtube, but I highly recommend you find a DVD of it!)
I love how ethereal his images feel, and I'd like to emulate some of his techniques. For anyone who has seen his films (or digital movies =P) or from watching the youtube video, any tips on recreating Iwai's light bloom in those classroom scenes? The light coming from the windows is so blindingly white that you can hardly see anything outside, yet the subjects are clear as day.
Also, am I able to make my images look as "soft" as they do in the movie, with an HVX? Any help would be appreciated. Let's celebrate Shunji Iwai!
-Gary