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Thanks for posting. Not too surprised at the results. I can imagine the F3 would be even better recording externally. What profile did you use on the 5D? I wonder if the Technicolor cinestyle would resurrect any shadow detail?
Not that I have illusions about the F3 > AF100 > 5DII, but the still frame triptych tells me that the effective focal lengths varied with every camera, and that at the very least the AF100 appears well out of focus.