The HPX300/370 sits in a sweet spot where few other cameras reside and that $8k baseline price point hasn't hurt their sales.
To the contrary, Panasonic captured a lot of new and legacy news broadcast business because the camera brought master-quality 10-bit recording with the added benefit of P2 workflow, removable broadcast lens and shoulder-mount form-factor. Nothing else like it existed before the HPX300. The news market was saturated with DVCPro50 tape rigs and an assortment of Sony product.
The market is the market. None of us have access to Panasonic's marketing research, but our knowledge of the market isn't totally worthless either. This very thread might make up a small part of Panasonic's market research path to their finished product. And a good number of users are stating that the camera should be P2HD and benefit from everything that comes with that - including a premium if necessary.
To the contrary, Panasonic captured a lot of new and legacy news broadcast business because the camera brought master-quality 10-bit recording with the added benefit of P2 workflow, removable broadcast lens and shoulder-mount form-factor. Nothing else like it existed before the HPX300. The news market was saturated with DVCPro50 tape rigs and an assortment of Sony product.
The market is the market. None of us have access to Panasonic's marketing research, but our knowledge of the market isn't totally worthless either. This very thread might make up a small part of Panasonic's market research path to their finished product. And a good number of users are stating that the camera should be P2HD and benefit from everything that comes with that - including a premium if necessary.