olof
DVXuser Sponsor
I am just starting to dial in the A7s with Shogun and I am comparing to the FS7.
I initially uploaded the 1080 timeline, including 200% blowup. I am now uploading a 4K version as well. I will add that in the next post.
Both cameras were set on Slog2, 3 for the FS7. All Factory settings, both cameras rated at 3200 same lens at f10, 5500K.
Bear in mind Vimeo compresses as well, downloading the 4K version orig upload will give you the best result.
I am not tuning here I am just using factory settings for everything. I think the results speak for themselves. The only grading was bring the blacks to 0 and whites to 100 raise the mids a bit to roughly match shots, and add bit of sat. This was done in FCPX less than 15 sec time grading each shot. If graded in Resolve and sharpening noise suppressed etc. I am sure I could make all these shots look much better. But this is to demonstrate what you start out with.
I hope you find it interesting I do. next I will be in resolve building LUTs.
I initially uploaded the 1080 timeline, including 200% blowup. I am now uploading a 4K version as well. I will add that in the next post.
Both cameras were set on Slog2, 3 for the FS7. All Factory settings, both cameras rated at 3200 same lens at f10, 5500K.
Bear in mind Vimeo compresses as well, downloading the 4K version orig upload will give you the best result.
I am not tuning here I am just using factory settings for everything. I think the results speak for themselves. The only grading was bring the blacks to 0 and whites to 100 raise the mids a bit to roughly match shots, and add bit of sat. This was done in FCPX less than 15 sec time grading each shot. If graded in Resolve and sharpening noise suppressed etc. I am sure I could make all these shots look much better. But this is to demonstrate what you start out with.
I hope you find it interesting I do. next I will be in resolve building LUTs.

