roxics
Veteran
I was reading the great article at HDforindies.com about James Cameron's NAB speech on digital 3D cinema. It got me thinking he might be right. This might be the time 3D really takes off and is more then just a gimmick. The technology is there. It would certainly give people a reason to go back to the theater.
I could see this happening slowly over the next ten years. It's already happening in small amounts.
So my questions is, RED is supposed to be a camera that will not go obsolete for a long while. So with that said will it support 3D capture?
I remember years ago seeing a prototype lens from Canon for the XL1. It was a 3D lens that contained some type of shutter inside to allow it to shoot 3D onto a single sensor. Perhaps RED will be able to pull off the same type of thinsg with a few specialty lenses? I don't exactly know how that works but I would think that if red can shoot 60fps it could pull off stereo vision at 24-30fps. 2x24fps or 2x30fps or even 2x60fps at 720p resolution.
I don't know about everyone else but I don't want to be the one to shoot a silent film when the era of the talkies is just 5-10 years away. I think we all want our films to be as future proof as our cameras.
EDIT: here is that article:
http://www.hdforindies.com/2006/04/nab-digital-cinema-summit-2006-day-two#links
I could see this happening slowly over the next ten years. It's already happening in small amounts.
So my questions is, RED is supposed to be a camera that will not go obsolete for a long while. So with that said will it support 3D capture?
I remember years ago seeing a prototype lens from Canon for the XL1. It was a 3D lens that contained some type of shutter inside to allow it to shoot 3D onto a single sensor. Perhaps RED will be able to pull off the same type of thinsg with a few specialty lenses? I don't exactly know how that works but I would think that if red can shoot 60fps it could pull off stereo vision at 24-30fps. 2x24fps or 2x30fps or even 2x60fps at 720p resolution.
I don't know about everyone else but I don't want to be the one to shoot a silent film when the era of the talkies is just 5-10 years away. I think we all want our films to be as future proof as our cameras.
EDIT: here is that article:
http://www.hdforindies.com/2006/04/nab-digital-cinema-summit-2006-day-two#links
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