I read this in Barry's book. Why would one want to edit in a 60i timeline if shooting 24p??
If you're mixing with 30p, or if you're mixing with 60i footage that you want to keep as 60i.
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I read this in Barry's book. Why would one want to edit in a 60i timeline if shooting 24p??
If you're mixing with 30p, or if you're mixing with 60i footage that you want to keep as 60i.