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I did check the levels on the meters, both were bouncing not clipping. But.. as I my norm I record mic 1 into channel 1 and 2 at different levels.. this is excellent for vox pops at work.. but a total user error when using two mics :( I should have had cans on and have some one tap each mic...

can you elaborate on this!

Well I never upgradeed with out hatred of the model before! (que outrage from Doug ! x)

Its hard to adjust the audio setting on the back of the camera - lesson 37.

I wanted a mic in the engine may as.. -the bonnet is a great wind sheild! -youtube told me that is a good place The recorder I used was the canon C200. The mic was the Rode M5 Clearly great synch is valuable. Im stressed to use my zcam+sound devices 702 as synch will be a pita. So.. FK up...

Rode M5 pair

Its in the engine bay. Im a total newb at such matters. Youtube had some little rode mics that i have borrowed simlar

ont of the sony mics is the ecm xm1

my subject as well as silly cars does music. Maybe he has a mic i could nick.. the sort of thing that might be pointed at the drum kit?

Im playing with a race tuned vintage Cortina. I have my SD702 recorder. I think I leave my lover sanken CS1 at home for safe keeps. This leaves me with three sony mics.. the stock camera mics and a a sony good lavalier My main concern is damage due to SPL and second desire is to get a bit...

I would consider this before changing cameras.. "I hate my C100 becuase.." If you dont hate your C100, keep it. Buy another one. If you think the c100 AF is poor the FS7 is not your solution, if you want long roll time 4k.. the fs7 might be your solution If you think the 8 bit of the C100...

a small camera with functional AF and an evf seems like a total win uless you are youtuber sponsored by smallHD and anton bauer

He od focebook and instagram as ambasador for aperture

What about Mitch Gross?

Thw first image. The trad way to do this would be a proper dimmer or jam an mc in the practical or nd gel fire starter and light from camera left through a 2.2 frame with diff. And don't forget to up the level on the wall the mirror sees

Popping in. after reading the first post... I dont like a light merter. or flase colour.. but I think you need to investigate a light metter and or false colour. Simply for the kitchens shot The key side of the face should be maybe 4 and the kitchen wall at 2.8 and the dark side of the face...

..and if that works.. it is fine. I think it looks OK! One thing to consider as well as dinking with camera colour temp is some 1/4 straw on the fixtures.

I dont quite know what you are doing.. but if it is narrative/drama.. then seeing one frame is a little short of the full ticket. What happens if he moves back into the room or has some other action?

Good idea! Ive spent my life at 800 so 3200 feels cheeky. And also the test was 3min woth the camera amd no plan!

I was rushed on all fronts. Frame rate may not match atomos or nle! Why i want going to post but ot came up in chat Its way dark. C200 would not see or focu (in raw) My conclusion was to test properly!