Recent content by Mutoscope

Hi Guys I'm at a film school in Australia and for our end of year projects we have to shoot on an Ikegami Beta SP camera (I know it sux but thats the way the schools equipped and I've been through all the pros and cons with my lecturer...) I've been shooting a lot with the Red Rock Micro on a...

I've got a heap of footage i shot for a film clip on a HVX 202 at 720p 32fps for overcranked slow mo (im on a PAL system so base time is 25p) I've converted the footage with Raylight as a self contained .avi and removed the duplicates frames to get the slow mo. I'm just wondering what settings...

Yes another HVX200 workflow question :-) I've got a heap of footage i shot on a HVX at 720p at a VFR of 32fps PAL. All the footage is in mxf files on a hard drive as i did not have a copy of final cut handy to ingest and unwrap the files. I read somewhere on a forum that Raylight will convert...

In the film clip Deadweight by Beck Michel Gondry has a shot from above of Beck floating as if 2cm off the ground: http://www.youtube.com/watch?v=0UI8NnBZo5M Bout 3:05 into the clip Now knowing Gondry and the techniques he uses im sure this is some kind of camera rig rather than a post effect...

I'm finishing a film shot on super16mm which has a lot of green screen work, because of how poorly lit the screen is I have needed to go through and Autotrace certain areas so that I can work with a mask and isolate the parts in the foreground that are keying out or just keying badly. This works...

Sorry if this has been discussed already. Just wondering what is a good workflow for getting HDV footage into Adobe After Effects. I'm using after effects 6.5 (on a PC) at the moment and it doesn't seem to have any HDV support. Checked around the net and couldn't find anything that allowed HDV...