DustinSchmidt
Well-known member
I also found a global shutter to make very little impact on my work as well.The wishful thinking of the hopeful make me smile. Generally speaking a global shutter has too many trade offs compared to modern rolling shutter cameras.. A couple are, #1 the loss of a stop of dynamic range. Like 1 stop between the F5 and F55, and #2 noise. That is why Sony opted NOT to go with a global shutter on the Venice. The Venice 2 has a rolling shutter of 3.3ms. Virtually indiscernible. When it can't be seen or sensed in normal filming, including fast action it's not really a problem. And the ARRI 35? It delivers a rolling shutter of 7.9ms in 3:2 4608×3164 open gate mode. And that camera, the 35 is probably amongst the most sought after cameras in the serious motion picture world. That's why virtually nobody complains about rolling shutter on the FX6. It's barely an issue at between 7.7ms and 8.7ms depending on frame rate.
Rolling shutter performance is very low, on my needs list, 1/10 of 'must haves'. But dynamic range? It's a 10/10 on the list. No competition. I need dynamic range and the quietest image on nearly every shoot. Global shutter? I can't remember when it was an issue in my work, and that has covered a lot of high speed motor sport.
For really top class stills shooting of very high speed action for freezing a frame then. Like a golf ball leaving the tee? Then yes, a global shutter is still king.
Chris Young.
I just recently sold my Komodo OG. I know that one of the things that made it unique and was a strength of that system was the global shutter. But it was something that just didn't show up in the type of normal corporate stuff I normally do.
I'm sure there's a perceptual limit to seeing the impact of a rolling shutter, as you noted Chris. I do think it's good to know what a camera's rolling shutter actually is, but in practical application it's not something too many people really need to worry about.