Follow along with the video below to see how to install our site as a web app on your home screen.
Note: This feature may not be available in some browsers.
all with soft light.no IBIS indeed. that takes the edge off my camera envy
also, micro HDMI is just...wow
nevertheless I'm sure we'll see lots of pretty things shot with this
Limitless internal recording in HQ?
Seems you never shoot stills.
It’s very much limited because it’s tied to the budget for storage media.
It’s very much limited because it’s tied to the budget for storage media.
I shot A LOT handheld. I’m very disappointed that they killed the IBIS.
I will have a look at it when my dealer has a demo to see how it works with stills.
there’s no need for a rush and atm I don’t see the R5 being replaced by the R5c.
IBIS is more beneficial for video than stills in my opinion.
For stills the shutter speed is often high enough (at least with longish lenses) not to need roll (rotation about the lens axis) stabilisation. Roll stabilisation cannot be achieved by OIS. It requires IBIS.
With video, you need roll stabilisation.
For example, here’s some footage that someone shot handheld with a stabilised lens but no IBIS:
https://youtu.be/poHvD_uAH_E?t=60
At 60 seconds there’s a railing across the frame. The rail looks solid in the centre. On the edge, e.g. the left edge of the frame, the same rail is bouncing all over the place because there is no roll stabilisation.
This roll is not affected by focal length, so using shorter lenses doesn’t reduce it.
Of course IBIS is nice for stills too, especially silly stuff like 1-second exposures on my Olympus.
with whatever stabilisation.. you take a 1/15th photo of someone and they move. photo blurred - too risky, it doesnt matter how still the camera/sensor is.. if you shoot stills of peopele you need to be on 1/60 or more to get the job done quick.
@Cleremond,
have you been able to test and see if iso100 in stills has more dynamic range than iso800 for the C-log variants?
Im shooting moving objects in 1/25 while tracking the camera and it’s tack sharp. I even sometimes use a 2 axis Kenyon additionally which is a bit bulky off course
maybe you are doing racecars, horses or whatever.. but its a special case. If you get someone to standthere and photograph them at 1/25 there is a chance they will move and ruin the shot - my clients dont to blurry subjects (interesting I was told that early in the career)
'i love the blur.. but the kids want to know what sort of trainers they are wearing - make sharp pictures - get a flash'
to pan and to a racecar at 1/60 you dont need any digital intervention
In Canon's presentation DR is quoted as 14 stops.
Let's see how that holds up. The only thing that interests me with that statement (it isn't the actual number), is that it might signify that the video actually is cleaner than the R5. Time will tell.
I’m glad that I have someone who explains my work.
.
What does the C500ii list as its DR?