indieanajonze
Member
Would the ability to edit AVCHD natively in FCP be something that Apple could do as an update to FCP 6 or would it most likely be part of the next major release of FCS 3?It is indeed. Several editors will support it on day one.
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Would the ability to edit AVCHD natively in FCP be something that Apple could do as an update to FCP 6 or would it most likely be part of the next major release of FCS 3?It is indeed. Several editors will support it on day one.
Hey Bob! There is no such location. I was intuiting. But let me look for what gave me the idea... ah yes, the third part, right after CAVAC and CAVLC at http://en.wikipedia.org/wiki/H.264 :
It reads as if it might mean: CABAC for some things, CAVALC for transform coefficient values, and VLC for other things. Or not!
Well, I'm doing a buying lidt for accesories and I was thinking about a tripod, which would the ideal camera under 1000$ for this camera (with an on camera light)?
Hello, Panasonic - you out there?
HMC150 owners need the Barry's HMC150 Book.
New owners expect the book.
Please include the book with the camera.:dankk2:
The book is part of the buying decision.
When you have a big hit on the way do the right, best thing, and include the Barry's HMC150 Book.
This is my first post, prompted by wanting the book! (with the camera).
Blit![]()
Or you could just buy the book from Barry.
So I'm 80% sure I'm going to a Panasonic Expo here in the Seattle area tomorrow (Tuesday, 9/23). They're supposed to have an HMC150 there. With this rather long thread and the user manual thread, I'm not sure what other information anyone would want... but... if you have any questions you would want me to ask the Panny rep, let me know. There is also going to be a presentation on editing with AVCHD (and AVCHD in general), so if you have any questions about that, shoot as well.

I have a question about HDMI to HD-SDI conversion:
HD-SDI will allow for the AVCHD files to transferred as uncompressed HD but what if anything can be gained by this?
I always heard that you can never really get higher quality than your source material so if you can edit in native AVCHD why would I want or need to go with uncompressed HD?
Or if I capture via the HDMI to HD-SDI conversion to my hard drive can I get better than AVCHD quality?
Sorry for the newbie questions but I've never worked with AVCHD or uncompressed HD.
I'm coming from HDV.
AVCHD isn't the camera's original format it's the codec that is applied after going through the ad converter.I have a question about HDMI to HD-SDI conversion:
HD-SDI will allow for the AVCHD files to transferred as uncompressed HD but what if anything can be gained by this?
I always heard that you can never really get higher quality than your source material so if you can edit in native AVCHD why would I want or need to go with uncompressed HD?
Or if I capture via the HDMI to HD-SDI conversion to my hard drive can I get better than AVCHD quality?
Sorry for the newbie questions but I've never worked with AVCHD or uncompressed HD.
I coming from HDV.
I have a question about HDMI to HD-SDI conversion:
HD-SDI will allow for the AVCHD files to transferred as uncompressed HD but what if anything can be gained by this?
I always heard that you can never really get higher quality than your source material so if you can edit in native AVCHD why would I want or need to go with uncompressed HD?
Or if I capture via the HDMI to HD-SDI conversion to my hard drive can I get better than AVCHD quality?
Sorry for the newbie questions but I've never worked with AVCHD or uncompressed HD.
I'm coming from HDV.
If you look at that second picture along the top of the LCD door, you can see that it's not the exact same shade as the rest of the body either, so I would imagine the top photo is similar but with the brightly exposed flash or whatever they used to shoot it, it exaggerated the blue in the image. We had this same thing going on with the HVX when it was first introduced, everyone thought it was some ugly pukey blue color because that's what the flash made it look like, but when you actually got your hands on it you saw it was a deep grayish black.Barry/Bobby, or anyone else who has seen the 150 up close- is the entire unit the same graphite like color, including the lcd door? Several photos online show the camera as being one uniform shade, but I have also seen some where the LCD door is much lighter, ala DVX100 and 100A
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versus
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my guess is that the top photo is a pre-production model for reviewers, and the bottom is the mockup. Although merely aesthetic, my hope is that its the same color throughout.
I'm sure they could do it either way, but I wouldn't really expect to see it until FCS3.Would the ability to edit AVCHD natively in FCP be something that Apple could do as an update to FCP 6 or would it most likely be part of the next major release of FCS 3?
+1 that would like to know about any upcoming AVCHD+FCP support Mike!!! Thanks.
So how sure are we that the image quality of the hmc150 will equal the HVX/HPX in 720/60p + 720/24p modes? If the image quality is equal then this will probably be the camera I get.
Sorry, I know that this was covered somewhere in this enormous thread... it's just this is my first prosumer cam and I can't make a decision between this, the HVX, or the HPX.
Thanks.