traviscool
Well-known member
That's pretty much what I was thinking- just it would be revolving around the same theme or idea. So one group would work on New York's version of- such and such an event. And another group could work on London's version of an event. So the story would be helmed by two or three writers (no more), then the actual production would go out to directors volunteering around the world and there crews which they assembled. Of corse it's not that simple- easier said then done- that's just the logistics.Lobbing in a few from the sidelines:
A big budget ain't gonna happen. The original idea about doing it as basically a bunch of top-quality DVX Fest entries could work. And ownership fights is what will kill this deal deader and faster than anything else. Except for flakes, people who say they're going to do it and then, for whatever reason, don't.
If I was gonna get involved with something like this, I'd probably want to see it handled like this: every team is an independent unit, and each produces their own segment out of their own pocket. If they finish, and their work is good, and they have all contracts and all releases and all rights to everything they produced, then the master producer buys the completed segment off of them, outright, for a small cash fee. The master producer then compiles the segments into a finished 90 minute film.