Here's something a little different:
http://www.slantyhouseproductions.com/Sequence 3.mov
My old college friend was visiting a few weeks ago and we decided to do something interesting with our combined skill sets. He's a brilliant puppet maker, so we decided to shoot a scene from David Mamet's Glengarry GlennRoss with pretty elaborate sock puppets. I shot with the HVX at 24PN against greenscreen, as well as the composite shots of a bar here in Seattle.
The HVX performed brilliantly, in terms of the key. Very little color info lost. It's definitely not a perfect key, but that's mainly due to the fact that we shot it in my basement, which didn't allow for much space between the screen and the camera. Also I'm really more of an editor than a DP
Composited in AE with Keylight.
http://www.slantyhouseproductions.com/Sequence 3.mov
My old college friend was visiting a few weeks ago and we decided to do something interesting with our combined skill sets. He's a brilliant puppet maker, so we decided to shoot a scene from David Mamet's Glengarry GlennRoss with pretty elaborate sock puppets. I shot with the HVX at 24PN against greenscreen, as well as the composite shots of a bar here in Seattle.
The HVX performed brilliantly, in terms of the key. Very little color info lost. It's definitely not a perfect key, but that's mainly due to the fact that we shot it in my basement, which didn't allow for much space between the screen and the camera. Also I'm really more of an editor than a DP
Composited in AE with Keylight.
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