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For everybody else - the mic guy knows how close he can bring the boom to the the actor, etc., etc. It's also more natural to just look at an image.If the director has a monitor, why would he need the laser?
This is probably the best way to make this idea work, only turn it on when you need it, before the camera starts rolling. Once the crew and talent get their marks, just turn it off. With the laser on the whole time, it might do some damage.mccainds said:Maybe the laser could be a button on the camera that can be pushed for the crew to check the frame. The laser isn't contatnly on, but could be used as a quick reference. The laser should never be pressed when an actor is in front of the camera.