MattDavis
Well-known member
Matt - isn't the canon style of IS not supposed to be so hot for video panning and moving? I know from a 17-55IS i have that is suffers from 'over swing' (my words) so at the end of a pan it will continue and come back. Also IS is pretty noisy too.
I am told (by Mr Bloom and a couple of others) that one needs to pump up the cash for the new Canon 80-200 2.8 with two modes of IS, the second mode being the more suitable for video. At £2k for the lens, plus £1k for the adaptor, it's going to be a bit of an investment so hence my sojourn with the non IS Tokina for now. There's always the £7k 18-200 lens for the F3, which would provide EX1 style IS.
I don't want to hand-hold a tele lens, just remove the micro-wobbles. So, if you're - say - panning to follow someone a way off in mid shot, the mere act of touching the lens or tensing before a pull focus creates jitter which the second mode deals with (I believe the first one is more for stills). The IS in the 17-55 2.8 does create a little 'overswing' or 'overshoot' but I tend to use that lens handheld where such dips are hidden in the overall look. Different lenses, different IS algorithms, I guess. But YMMV - I've been happy with the 17-55 2.8, and the noise is only an issue if your mic is close to the lens.
FWIW, I did play with the Zeiss/Sony lens range at last year's IOV event. Nicely built, but I didn't like the focus action, and they lock you into E-mount. I like the ability to swap lenses around bodies - and if I shell out £3k on that 80-200, it had better be Full Frame, fit on anything, yada yada.