Zoom 4n or Tascam dr100 for my GH2?

oxband

Well-known member
So, I'm going to be getting a Panasonic GH2 and I want to get a external sound recorder for it.

I'm thinking of the Zoom 4N or the Tascam DR 100.

Any thoughts/advice on this choice?
 
The Tascam DR-100 MK2 is a better recorder than the Zoom H4n:

- Tascam has better built-in mics
- Tascam has better MIC pre-amps
- Tascam has -82 dB RMS noise-floor vs. Zoom -66 dB RMS noise-floor
- Supplied Tascam lithium-ion battery will power the DR-100 MK2 for 6+ hours
- Tascam has aluminum metal shell

The only area where the Zoom comes out ahead is 4 channel recording, where the Tascam is a 2 channel recorder

Another recorder worth looking at is the new Olympus LS-100, which has better battery life ( 12 hours using built-in mics ), and may have better built-in mics ( I am putting together a big low cost recorder shoot-out around the end of June, and I hope to test the LS-100 against the DR-100 MK2 to see how they stack up )
 
almost every experienced user i know says the tascam is a better recorder.
but i think DSLR jockeys buy the zoom simply because it looks cooler : (
 
The only area where the Zoom comes out ahead is 4 channel recording, where the Tascam is a 2 channel recorder

And that is where the DR-40 comes in at half the price and all of the important features of the H4N. I found it weird that the DR-40 has 4 channel recording and the DR-100 didn't. The DR-100 is a better recorder than the DR-40 in pure audio terms but even then the DR-40 beats the H4N.
 
I found it weird that the DR-40 has 4 channel recording and the DR-100 didn't.

I hope to include the Tascam DR-40 in my recorder test at the end of June, and I will publish the difference I find in audio quality between the DR-40 and the DR-100 MK2.

My guess is that the mics are better in the DR-100 MK2, and the noise-floor could also be significantly better. ( I am more concerned about noise-floor than how many channels a recorder has, especially when there are only two XLR inputs on a 4 channel recorder )
 
What are the differences between the dr100 and the dr100 mkII?

Minor improvements? or any major differences between the two?
 
What are the differences between the dr100 and the dr100 mkII?

I suspect they are minor, though I will do a comparison between these two models later on this summer. ( I own the MK2, and two of my friends own the MK1 model )

From what I've heard, the MK2 has improved mics and improved pre-amps. But how much of a difference does this make? ( especially with the mics, can you actually hear a difference? )
 
I hope to include the Tascam DR-40 in my recorder test at the end of June, and I will publish the difference I find in audio quality between the DR-40 and the DR-100 MK2.

My guess is that the mics are better in the DR-100 MK2, and the noise-floor could also be significantly better. ( I am more concerned about noise-floor than how many channels a recorder has, especially when there are only two XLR inputs on a 4 channel recorder )

I use the built in mics for an 'on camera mic' sometimes but your right I almost never use 4 channels (I haven't had the DR-40 very long).

I live in Toronto and have a DR-40 if you are stuck trying to find one for your test if I don't have any work come up.
 
I use the built in mics for an 'on camera mic' sometimes but your right I almost never use 4 channels (I haven't had the DR-40 very long)

The DR-40 looks like a lot of recorder for the price. I am very curious to see how different the DR-40 and DR-100 MK2 are.

I live in Toronto and have a DR-40 if you are stuck trying to find one for your test if I don't have any work come up.

Hey cool. Thanks for the offer.

Right now I have the following recorders lined up for this audio shootout:

Olympus LS-7
Olympus LS-11
Sony PCM-M10
Tascam DR-100 MK2
Zoom H1
Zoom H4n


...And I want to add the Tascam DR-40 and Olympus LS-100 to the mix.

Sony has replacement for the PCM-D50 in the works, but I have no idea when it will be released. It should seriously kick-ass, but I wonder if it will have built-in XLRs or not. Hopefully they will follow Olympus with their LS-100 and add XLR inputs to their new recorder. ( PCM-D50 has the best mics of any recorder under $600 )
 
Sounds like a pretty solid test. What you can get for the money these days is insane.

I think the popularity of the Zoom products are due to being in early and getting established with a lot of DSLR shooters. When people ask their friends what they use the answer is often "Zoom Recorder" and most don't do their own research.
 
Sounds like a pretty solid test.

I've already done 75 percent of the pre-amp / noise-floor tests on 5 of the units, and around the end of the month I want to do a live music test to see how the built-in mics compare. I know that the Olympus LS-11 and Tascam DR-100 MK2 have good mics, but I don't know which will do the best job with live music. I'm also curious to see what the DR-40 mics are like, and if the LS-100 has better mics than the LS-11.
 
Im think of the DR 40 but I read one review which said if you play with the levels of the internal mics while they are recording, it makes noise. Any word on this? I also see some people complaining of a problem with unbalanced mics, which seems like a problem given the fact ill want to use it for my lavaliers: www.gearslutz.com/board/post-production-forum/719809-tascam-dr-40-issues-unbalanced-mics.html

Thoughts? If it werent for these issues, this is what I'd want!
 
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