Your Dropout recovery procedure

Baluardo

Well-known member
I never had a dropout with the dvx100.
But a while ago I decided to not use the dvx100 anymore for capturing, since i realized the hour meter was going up fast.

So i started using my old sort-of-faithful panasonic ds28 camcorder for capturing dvx100 footage (after running some head cleaning cassette). The smaller camcorder generates dropouts here and there (it always did in playback since the very first tape i shot with it), about 1 every 5-20 mins. But playing back the same bit of tape usually there's no dropout anymore (and it may show up in another part).

Anyway, sometimes (very often indeed) you realize there's a dropout in the captured footage only after you put it in your timeline and possibly only after you export the movie.

- At this point, what's your procedure to fix the problem?

Personally, i re-acquire the bit of footage with problems (just the bit i used in the timeline, not the whole thing), let's say 5 seconds. then i trim it exactly like the damaged part i already used in my timeline (using the timecode references) and re-apply the possible effects that bit had.
And i do that with all the bits with problems (if more than one), even if they're coming from the same originally captured footage.

I was wondering if there's a better way than this to solve the problem.

Andrea
 
I've fixed dropout problems (1-3 frames in length) by exporting the bad frames with adjacent good frames and used Photoshop to clone portions of the clean frames into the bad ones. I'll select an area of a clean frame, with a feathered edge, and drop it over the spot to be fixed as a new layer. Then you can slide it around for perfect alignment. Reimport the repaired still frames back into the timeline where they belong and render. This would be difficult to impossible with severe dropouts but I've done it a number of times with success. Totally seamless. Works good with old analog footage too. Wouldn't want to do it all day though.
 
I've done something similar to PrestonH, but usually in the timeline with Vegas. In 24p mode I've sometimes cheaped out and just duplicated the prior frame if it's a one-frame dropout, or used the bezier mask to clone through pieces from the prior frame. Depends on how serious the dropout is, and how much time to devote to fixing it. Recapturing a dropout-free section from tape is the highest-quality, best way to go -- but that involves finding the original source tape, que'ing it up, etc.
 
thisiswells said:
Here's what I do:

%$@&#)&@_$)*#%)*#)%*@)#(*%)(@#*%_)(!@&#$_)(!&@#$_)(*!@$#)(&@#%&$)*(%&)_(&@#((*&@($*&

That sounds like the appropriate course of action.:thumbsup:
 
Back
Top