ccroo
Well-known member
Dear Folks:
I am shooting two cameras with an HVX200 and an HMC150 in a room where the only light source is daylight-bulbed Kinoflos. The lights are fixed, as it the set. Nothing changes. There are no windows.
I have two NTSC monitors, both set to camera bars.
I use manual white balance. I use a big white card (a foamcore board).
The first day, the image looked perfectly white balanced on the NTSC monitors. We ingested the footage through Final Cut Pro. It matched the look we saw on the NTSC monitors on several macs.
The second day, however, the image had a YELLOW cast to it when ingested via Log and Transfer.
Why would it look clean and white on the NTSC monitors and yellow on various macs?
Thanks!
I am shooting two cameras with an HVX200 and an HMC150 in a room where the only light source is daylight-bulbed Kinoflos. The lights are fixed, as it the set. Nothing changes. There are no windows.
I have two NTSC monitors, both set to camera bars.
I use manual white balance. I use a big white card (a foamcore board).
The first day, the image looked perfectly white balanced on the NTSC monitors. We ingested the footage through Final Cut Pro. It matched the look we saw on the NTSC monitors on several macs.
The second day, however, the image had a YELLOW cast to it when ingested via Log and Transfer.
Why would it look clean and white on the NTSC monitors and yellow on various macs?
Thanks!