WorkFlow Steps when shooting 24PA

DShaughnessy47

New member
So am I correct when saying, if I shoot in 24PA on the dvx100B and Capture into FCP using the 2:3:3:2 pulldown; Editing on a 24p (23.98) timeline... I will get the clearest most rockin' results? And when I desire a slow motion element in this 24p timeline...I should plan ahead and shoot that element in 60i and slow it down 40 or 50% in the 24p timeline... When i capture the 60i footage, how should I capture that footage? with the 2:3:3:2 pulldown? or? I'm trying to define all the steps so that I'm not spinning with confusion any longer...

1) Shoot 24PA
2) Capture using 2:3:3:2
3) Edit on a 24p timeline

- when slow motion is desired shoot 60i and slow down 40 or 50 percent.



Is this a correct work flow?
 
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