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What features could kill off the FS700 7Q solution?
XAVC or proRes 4k
10 bit or greater
Global Shutter
>14 stop DR
$10k price
So... cheaper than the F5 but with the global shutter and 4K recorder of the even-more-expensive F55? I don't think that's very likely.internal 4K
global shutter
13 stop DR
$12K
So... cheaper than the F5 but with the global shutter and 4K recorder of the even-more-expensive F55? I don't think that's very likely.
Good point on "heavily compressed", I didn't think about the actual codec and missed that someone mentioned the XAVC-S. I don't think they would really increase the dynamic range or add global shutter.That's what I would want...not what I expect.
Lack of OLPF, heavily compressed internal codec, and lower DR would protect the F55's market I would think.
What do you think the replacement for FS700 would have?
I'm also still surprised by how many people shoot straight to SD card still... I've been so absorbed in the 7Q-world and all the talk/popularity regarding it that I've forgotten that tons of people shooting with the FS700 don't use the 7Q or any other external recorder, for that matter. To a similar point, those people love the camera but many don't utilize the SDI out for recording, they aren't worried about an extra stop of dynamic range, and they aren't worried about a global shutter. They like the frame rates, the XLR inputs, and built-in ND. And that it is sharper and shoots longer than a DSLR.
Many of us on DVXuser would probably be considered "power-users" by Sony. Even though many pros use the FS700, I'd wager that a vast majority of FS700 shooters aren't talking on a message board about the dynamic range or bit-depth of their codec.
They are shooting corporate videos, slomo booths, action sports, indie shorts, concerts, music videos, documentaries, weddings... A wide, wide range of subjects/formats with different needs. And they may have gotten the FS700 for different reasons, but most likely it was because of the features on the camera, not necessarily the quality of those features. Notice that the FS700 defies nearly everything that makes the BlackMagic cameras sellable. It doesn't shoot RAW... but it has XLR inputs. It doesn't shoot ProRes... but it has built-in ND filters. It doesn't have global shutter... but it has 240fps! With the FS700, it's not about doing anything better than the other cameras, it's about doing something they can't do at all.
So while I'd certainly like to see a bump up in quality of the features that already exist on the camera, I have a feeling that those improvements would be lost on their core market.
Totally. And there is nothing wrong with that. I've called the FS700 a swiss army knife before, too. It's hard for me to consider other cameras when this one offers so much bang for the buck (and without the sacrifices you have to make going with a DSLR-style camera). And Sony knows that's who is the target market for this range of camera.I think you are onto something. You described me perfectly....shooting straight to card,
very wide range of work.......I like the FS700 because of its wide range of features that let
me do all kinds of things.....timelapse with 'smeary' shutter, high frame rates, shallow
depth of field, XLR inputs, built in nd, use any lens around...it just does a TON of different
stuff. It might not be the best at any particular feature, but it's the only camera with
all these features under 10 grand....has autofocus, servo zoom, touch to focus, settable
rack focus, even some cheesy (but sometimes useful) things like face detection autofocus
and ability to snap 8 MP stills! Such a 'Swiss army knife', can be very useful to a
'one man video company' who lives in an rural area with no access to rental houses.
They are shooting corporate videos, slomo booths, action sports, indie shorts, concerts, music videos, documentaries, weddings... A wide, wide range of subjects/formats with different needs. And they may have gotten the FS700 for different reasons, but most likely it was because of the features on the camera, not necessarily the quality of those features. Notice that the FS700 defies nearly everything that makes the BlackMagic cameras sellable. It doesn't shoot RAW... but it has XLR inputs. It doesn't shoot ProRes... but it has built-in ND filters. It doesn't have global shutter... but it has 240fps! With the FS700, it's not about doing anything better than the other cameras, it's about doing something they can't do at all..