...why are so few Panasonic DVX100 class films hitting our cinema screens?
People likened the DVX movement to that of the 16mm indie movement of the early 90s and late 80s. But it seems unless you've shot your film on FILM, you're guaranteed no release.
When was the last time someone took a DVX100 and made a truly great piece of art?
People likened the DVX movement to that of the 16mm indie movement of the early 90s and late 80s. But it seems unless you've shot your film on FILM, you're guaranteed no release.
When was the last time someone took a DVX100 and made a truly great piece of art?