What's Your Workflow?

stabsteer

Member
I've been shooting with my DVX and editing for the last couple of years and getting pretty good results, when it occurred to me recently that I may not be doing everything technically as well as I could be.

I'm not talking about story, acting, or lighting, but rather overall video quality. I stated thinking about everyone's workflows, and what really works best from a technical point of view. I know we all have one of 4 or 5 different editing packages, but we're all trying to achieve the same thing-The Best Quality Product.

My Current Workflow.

Shoot-DVX 24P
Edit Final Cut Pro-On a Normal Timeline
Color Correct in Final Cut Pro
Export Quicktime Conversion Mpeg2-(8 Mbps/Motion Estimates Best/2 Pass VBR)
Burn DVD in DVD Studio Pro
Or if going to web-Export Uncompressed .mov and use Cleaner to compress into .mpeg/wmv/or mpeg4

I had always thought if I was going to DVD and not going to transfer to film, shoot 24P (few of us will ever be able to afford an Answer Print, and if we do it's probably someone else paying for it) But recently I've been hearing differently and now I'm wondering if I've been doing it wrong all this time.

I've been hearing quite a bit about Magic Bullet, DV Filmmaker, and Revision:Smooth Kit for staircase suppressing and overall 'Film-Like' reproduction. I've tried Magic Bullet (not being really interested in the LookSuite-only the Deartifacting) and honestly couldn't tell any difference.

And I've also been reading about 2-3 pulldown and 24P conversion stuff, and am wondering how I never considered any of this or somehow missed this step.

I've read great things about Sorenson Squeeze as well and was also wondering how others may or may not integrate that into their own process.

Does anyone know of any good Step-By-Step Workflows that I could read about, and what workflows seem to produce the Best Quality DVD's for you guys? Thanks and any info is much appreciated.

Frank
 
I guess no ones interested in discussing their workflows. I thought the Zombiefest winner Texas Fortune or whatever the name was looked great, and I remeber reading he shot on 24 PA, then used Magic Bullet on After effects and then Sorenson squeeze for compressing. Anyone else remember they're workflow?

Has anyone used any deartifacting software like Revision: Smooth Kit?
 
Wah. This is my itty bitty workflow for music videos. Narrative involves storyboards and lots of audio work.

CAM: DVX100a + VX2100

[1] Capture with FCP + 24pA
[2] Roughcut Edit with 23.98
[3] Convert 29.97 to 23.98 MB in AE (for VX stuff)
[4] Export Clips to Shake for VFX
[5] Export Clips to AE for other VFX, mostly motion graphics
[6] Final Assemble in FCP
[7] CC in FCP with MB and regular CC controls

[8] Compressor MPEG2 DVD, depending on length
[9] Uncompressed 4x3 QT
[10] Crop in AE to 16x9
[11] Sorenson Squeeze - Sor3/H.264

:( No telecine or answer prints over here yet.
 
stabsteer said:
I thought the Zombiefest winner Texas Fortune or whatever the name was looked great, and I remeber reading he shot on 24 PA, then used Magic Bullet on After effects and then Sorenson squeeze for compressing.

Thank you - however I don't use MB. I think I have a rant somewhere about it. My workflow was capture 24PA, edit in FCP, color-grade manually in AE, then online back in FCP. The whole process is kept 23.98, except for the final output to DVD, where a 2:3 pulldown is added to bring it to 30i for broadcast.
 
Curugon said:
The whole process is kept 23.98, except for the final output to DVD, where a 2:3 pulldown is added to bring it to 30i for broadcast.

Do the stations in USA broadcast from DVD-disc's?!
 
No, I was referring to broadcast standards. I always keep three versions of a final product, one 24p 4x3, one 24p 16x9, and one 30i 4x3. That way I'm prepared for any scenario where it might be required to show.
 
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