-Deva V
-Assortment of Schoeps, Sennheiser, and DPA mics
-All the accesories like Rycote setups, stands, cables, sandbags and the like.
For production sound, if going straight to camera:
-Sennheiser MKH60
-Sanken CS-1
-Sennheiser MKH50
-Rycote setups
-Ambient boom pole
-Sound Devices 442
-Petrol PEGZ-1 bag
-Zaxcom digital wireless
-Countryman EMW lavs
-All the assorted cables, like regular XLR's and breakaway.
I usually don't do larger stuff than that, since I'm mainly a post guy, and don't want to invest $100,000 in a large sound package for production sound.
1. AT 4073a shotgun mic.
2. AT 822 stereo mic.
3. (2) AT 4033 studio mics.
4. FMR-RNP stereo mic preamp
5. Shure S15 microphone stand
6. AT 101x wireless lav system w/ omni mic
7. Mackie 1202-VLZ Pro mixer
8. Sony CDR-W33 CD recorder
9.Tascam CD-RW2000 CD recorder
10. Tascam MD-301MKII minidisc deck
11. Samson S.cpm plus compressor
That's nothin'. You should see some of the packages I've put together for people. It's amazing to put $95,000 on a credit card. The invoice ends up being 4-5 pages long. It's pretty cool to put one of these together.
[quote author=Barry_Green link=board=audio;num=1094671064;start=0#2 date=09/08/04 at 14:44:40]I carry around:
Tram TR-50 XLR wired lavaliere
AT-835B shotgun mic
Sennheiser dynamic handheld mic
AT-101 wireless lavaliere mic system
Senn. Evolution 100 wireless lavaliere mic system
Senn. plug-in wireless transmitter, so shotgun or Tram can be made wireless
Plus a fishpole, mic stand, shock mount, 1.5', 3', 15' and 25' XLR cables, Sony 7506 headphones, plus some little Sennheiser ear-bud phones that are always in the pack in case I forget the 7506's! ;D[/quote]
On the subject of the AT-835b, I was puttering around with one the other day, trying to see if it would work mounted to the DVX. (on top in the AT 415 shock mount, not in the camera's mount) Seems like it would be too long for the lens at maximum wide angle. Any experience with this configuration?