Well, we didn't make it...

[Alan Ting Judson]

Good question. I'll check with the engineers on that one. If we can change that we will.

Thanks, also please give the option for focus peaking can review it with LUT on or off, same as what u guys did with the false colour. Sometime might prefer different option in different kind of situation.

 

[Mitch Gross]

Loving the 7Q, and the 4 sec burst of 240fps in 1080p ProRes. I know 4K burst is in the works. But i'm trying to remember if we're expecting either a longer burst, or continuous 120 or 240 in ProRes ever. Any word or is it only the 2K RAW continuous for that?

This is about what the camera actually outputs. We can only capture based on what is sent to us.

In 4K, the only high frame rate output is a short burst. We record that right now in RAW or in Apple ProRes when supersampled to 2K/HD. What we will soon offer in addition is capture of the 4K Burst recorded directly as 4K/UHD Apple ProRes. There is no 4K240p on the camera. In 4K the top speed is 120p.

In 2K the camera can shoot up to 240p and we can currently record that in RAW. Soon we will also be able to record that converted directly in to Apple ProRes.

 

[Mitch Gross]

Thanks, also please give the option for focus peaking can review it with LUT on or off, same as what u guys did with the false colour. Sometime might prefer different option in different kind of situation.

Not sure about this question. All of the Focus Assist modes including Peaking function whether the LUT is active or not. It is much harder to see the effect of a Focus Assist on a Log image, as contrast is elemental to resolving power, both in actual MTF as well as perceived in a visual tool such as Peaking.