matthew_renee
New member
So this may be a simple question, or it may not. I've been capturing some of the footage I've shot into Final Cut Express, and all of the low light (mostly indoor) footage has a very blocky effect to it. For instance, around curves, all of the pixels are very visible, so it looks like an old video game where the curves are made up of a bunch of pixelly squares. In normally lit, or outdoor footage, this doesn't happen.
When I watch the footage through my DVX (or any other camcorder for that matter) it looks perfectly fine. When I export the footage to quicktime movie, or any other format, however, it retains that pixelation. If I try to use this file in a DVD burning program, the pixellation stays. If I record the footage back onto a tape, though, the pixellation goes away.
I've read people talking about "recording in a 24p timeline," but I don't know if this is done automatically by final cut, or if I have to set it.
Any ideas?
Thanks,
Matt
When I watch the footage through my DVX (or any other camcorder for that matter) it looks perfectly fine. When I export the footage to quicktime movie, or any other format, however, it retains that pixelation. If I try to use this file in a DVD burning program, the pixellation stays. If I record the footage back onto a tape, though, the pixellation goes away.
I've read people talking about "recording in a 24p timeline," but I don't know if this is done automatically by final cut, or if I have to set it.
Any ideas?
Thanks,
Matt