Lenilenapi
Carbonite Member
Ok I've been sitting in my office looking at component output in my Dell and SD output in my Sony 14" (whatever the number is - high rez pro monitor)
There seems to be some voodoo going on with how the HVX treats black & noise. It seems to be independant of the codec or record format.
If you look at an image where it is pretty flat and dark the noise level will come up dramatically, you can really see this in gain.
It can verge on getting blocky and it did seem that way on my dell at 1080, but I don't know what voodoo the Dell is doing at 1080 so that might exacerbate it.
Anyway , set up a darker fuzzy flat image - and slide a sharp white piece of paper into the shot. 2 things happen:
1.- The dark areas get slightly darker. At first I thought this was the monitor, but I confirmed it with the waveform. I don't remember seeing this with other video cameras, but maybe I've never looked that hard. I figure shadows should be independant.
Maybe this has something to do with Flair compensation circuits (do they have those on chips?)
2.- The noise goes way down. This is more striking than the change in exposure.
This could account for some of the noise issue in the "five minute short", but I've never seen the original so I don't want to make any claims here.
It also seems to explain how this camera can seem very clean at some times and noisy at others.
I was experimenting with gain and was struck by how clean the camera looked even at 6. Until you get it on a flat dark area then its as if the codec or something in the camera is hunting for something to grab onto. I don't know how else to explain it.
I've been looking at gain because I know that in doc situations I will have to face being in nightime interiors lit by ordinary room light. They don't look too bad to me at 6. Especially in SD even 9 didn't seem horrible.
The lesson for me seems to be to make sure that your scenes have some area that is decently lit.
You might not be happy doing a horror scene following someone through dark spooky area that go completely black at times.
I do intend to try this with some real shooting tomorrow evening.
I can't say it makes me happy, cause I like Noir and low budget filmakers tend to like it as well.
I'm not sure what it takes to making that noise start rising.
Hope I'm wrong .
Please let me know if others confirm this or if I've been havin' those flashbacks again.
There seems to be some voodoo going on with how the HVX treats black & noise. It seems to be independant of the codec or record format.
If you look at an image where it is pretty flat and dark the noise level will come up dramatically, you can really see this in gain.
It can verge on getting blocky and it did seem that way on my dell at 1080, but I don't know what voodoo the Dell is doing at 1080 so that might exacerbate it.
Anyway , set up a darker fuzzy flat image - and slide a sharp white piece of paper into the shot. 2 things happen:
1.- The dark areas get slightly darker. At first I thought this was the monitor, but I confirmed it with the waveform. I don't remember seeing this with other video cameras, but maybe I've never looked that hard. I figure shadows should be independant.
Maybe this has something to do with Flair compensation circuits (do they have those on chips?)
2.- The noise goes way down. This is more striking than the change in exposure.
This could account for some of the noise issue in the "five minute short", but I've never seen the original so I don't want to make any claims here.
It also seems to explain how this camera can seem very clean at some times and noisy at others.
I was experimenting with gain and was struck by how clean the camera looked even at 6. Until you get it on a flat dark area then its as if the codec or something in the camera is hunting for something to grab onto. I don't know how else to explain it.
I've been looking at gain because I know that in doc situations I will have to face being in nightime interiors lit by ordinary room light. They don't look too bad to me at 6. Especially in SD even 9 didn't seem horrible.
The lesson for me seems to be to make sure that your scenes have some area that is decently lit.
You might not be happy doing a horror scene following someone through dark spooky area that go completely black at times.
I do intend to try this with some real shooting tomorrow evening.
I can't say it makes me happy, cause I like Noir and low budget filmakers tend to like it as well.
I'm not sure what it takes to making that noise start rising.
Hope I'm wrong .
Please let me know if others confirm this or if I've been havin' those flashbacks again.