Took both these cameras for a quick test. So excited. The slowmo at the end is very interesting to me.
https://youtu.be/tmGYszhJgjo
https://youtu.be/tmGYszhJgjo
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It sure looked like it does at the pixel level. But I suppose it could be a product of the internal processing.GH5 does not have an OLPF.
This is pretty much the nightmare scenario for cameras. If you expose for the highlights the forest looks like a semi night scene. If you expose for the forest the highlights look like they are on fire. Looking at the original video I would say the GH5 has holding up better in terms of dynamic range. The URSA was clipping the highlights a bit more. Overall this shows how far we have to go with digital dynamic range and cameras. The grade by Razz shows some improvement but both had blue highlights which means the program is basically painting in to make up for the sensor deficits.
I would like to see the new Panasonic and Canon cameras in the same setting to see how the 15 stop DR claims hold up. But in the end, the $2,000 GH5 is a great value.
The Ursa has the DR to handle this beautifully without clipping. I had to back the exposure down 3 stops in Resolve to get into a normal value range for the raw footage. Way overexposed. The GH5 was much closer to optimum exposure, so highlights were not quite as burned. But there is much less room to manipulate the image without breaking something.
NEWS FLASH: "Camera at less than half the cost that records h264 has less usable dynamic range than much more expensive camera that records raw."
I agree, the GH5 (V-log L, 10 bit) grades fine.True, but the GH5 still looks very good if not as refined. You just have to nail your exposure and settings when you shoot to get the best results. It stood up to the grading process better than I thought it would.