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Well, it's not just "it", it's that Peter has bought two of them himself for use personally, and his companies (WETA Digital, and WETA Workshops) have also bought them, for use professionally. Today I had a few guys from WETA at the Wellington HVX workshop and I got to talk to them at length, about what they've been doing and what they plan on doing, but I'm not necessarily allowed to share that -- I did have to sign a nondisclosure agreement about the particulars. They told me it was okay to share that I had visited, and that they have them, but not necessarily to say specifically what they're being used for.RayFrisby said:Any idea what he's shooting with it Barry, is it fx, green screen, is he using it on any current projects ?
I got to see much of the empire, but not all of it. Saw some of Wingnut, toured WETA Workshops, drove by Park Road Post... it's really a very extensive operation they have there. I was most impressed by the attitude that seemed to permeate it though; people were extraordinarily skilled, but also seemed most happy to be working there too. That's a powerful combination indeed!Mike Poindexter said:Did you get a chance to sit in his personal theater?
WETA guys are really, really cool. Like I said above, I had three of them in the seminar today so they could learn the ins and outs of their HVXs, and I got a chance to talk with them, and they're just so dang cool. Jabez Olssen is perhaps the nicest guy in the world, he was the Avid Editor on Kong and I talked to him at NAB and now again here in NZ.Shaw said:That's so cool that you got to take a trip to NZ. I would kill to get a chance to hang out with the WETA guys.
Barry_Green said:...
I did see a snippet of something they'd shot on their HVX, and it was flabbergastingly cool. I tried to get 'em to post it here but it's not something that they can share, so sorry, no -- but for what they're doing, the HVX seemed to be very well matched.
....
dvInsight said:That's great, I know you signed an NDA, but can you at least tell us if they are planning on incorporating the "flabbergastingly cool" HVX footage on a project for the big screen?
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Rob
I would say mostly for home movies. Seriously... if I were that rich, I'd buy the Varicam or a Sony F950. For WETA, I could see them using it for their scale-model sets (miniatures, I believe).Bokes said:I was wondering the same thing.
I see a lot of big time directors are using the HVX- but on what?
(I almost brought my HVX to Paris to film "home movie" footage.
But it would have been too heavy and it cost too much $$ to have anything happen to it. I took the DVX instead.)
pkendall said:one book to rule them all.
Uh, no. Nice try, but no -- he told me what it was for, and it's not home movies!gregcotten said:I would say mostly for home movies.
That's a great point, and a place where an HVX would have unique advantages. Makes a lot of sense.For WETA, I could see them using it for their scale-model sets (miniatures, I believe).
My guess would be live-action plates for 3-D footage, especially if not displayed full screen (footage mapped to a quarter-screen or smaller polygon would yield a very high-def image, and it could be at 4:2:2 and 24 fps).Barry_Green said:That's a great point, and a place where an HVX would have unique advantages. Makes a lot of sense.