mainstreetprod
Veteran
I think the sweet spot is really 2k/1080p.
I agree that 1080P is the sweet spot. Last year I got my 5th feature film into theaters and quickly learned that my footage, acquired for the first time in 4K, was to be downrezzed to 2K for the DCP because few theaters (I was told) had 4K projectors. When I saw it on the huge screens I was blown away by how good it looked and realized that if it were in 4K, it would just show flaws in the actors skin or makeup and make it worse, not better.