Hi everyone!
So I will admit, one of my weaknesses that I'm trying to work on is my color correction skills. I know enough to get a decent picture/contrast but many times, my color grading comes off as being a bit flat or boring. I've read & seen a lot about LUTS and, being a film photographer, the idea of using the looks of different film stocks is pretty exciting.
While doing my research though, it seems that many LUTs are designed for cameras newer than my trusty AF100. My question is - what LUT profile would I use for AF100 footage? Is there a best practice?
VisionColor ImpulZ has a LOG generic and Rec709 generic. Would I use one of those for my AF100 footage? Or would I need to "convert" my AF100 to a particular profile, then add a LUT to that? I'm very new to this process and could any advice from you experts. In case it matters, I use Premiere CC 2015 for my editing/color correction.
Thank you!
So I will admit, one of my weaknesses that I'm trying to work on is my color correction skills. I know enough to get a decent picture/contrast but many times, my color grading comes off as being a bit flat or boring. I've read & seen a lot about LUTS and, being a film photographer, the idea of using the looks of different film stocks is pretty exciting.
While doing my research though, it seems that many LUTs are designed for cameras newer than my trusty AF100. My question is - what LUT profile would I use for AF100 footage? Is there a best practice?
VisionColor ImpulZ has a LOG generic and Rec709 generic. Would I use one of those for my AF100 footage? Or would I need to "convert" my AF100 to a particular profile, then add a LUT to that? I'm very new to this process and could any advice from you experts. In case it matters, I use Premiere CC 2015 for my editing/color correction.
Thank you!