filmguy1974
Member
OK- I've been demoing an HD100 for the last couple of weeks- and I'm ready to pull the trigger on this thing by late March/early April. I'm completely sold.
I've got an offer from our A/V rep to buy the demo model at a good discount, which didn't sit well with me at first, but with the problems that some people have had getting in the more recently produced models in favor of the older ones, I'm starting to consider it simply because the demo unit is functioning well and doesn't exhibit any of the calibration or dead pixel issues.
What I'd like to do, though, before committing to this thing, is check the amount of usage it's seen. I know that a lot of pro cams have a menu you can backdoor your way into to check how many total hours of operation the camera has seen- is there such a feature hidden away in the HD100? I'd hate to pay out this kind of money only to find that it's seen 500 hours worth of wear and tear.
Any other advice on the terms/caveats of acquiring the camera this way would be welcome. This is a bigger personal investment in A/V gear than I've ever made before. It's one thing when I'm spending the studio's money for gear to use on the job- but it's amazing how things change when it's your own checkbook getting whipped out...
I've got an offer from our A/V rep to buy the demo model at a good discount, which didn't sit well with me at first, but with the problems that some people have had getting in the more recently produced models in favor of the older ones, I'm starting to consider it simply because the demo unit is functioning well and doesn't exhibit any of the calibration or dead pixel issues.
What I'd like to do, though, before committing to this thing, is check the amount of usage it's seen. I know that a lot of pro cams have a menu you can backdoor your way into to check how many total hours of operation the camera has seen- is there such a feature hidden away in the HD100? I'd hate to pay out this kind of money only to find that it's seen 500 hours worth of wear and tear.
Any other advice on the terms/caveats of acquiring the camera this way would be welcome. This is a bigger personal investment in A/V gear than I've ever made before. It's one thing when I'm spending the studio's money for gear to use on the job- but it's amazing how things change when it's your own checkbook getting whipped out...